我出生于北京,童年去过陕西农场,少年住过工厂宿舍。原广州画院评职画家,广东省及市级美术家协会会员,广州美术学院大专毕业,美国内华达雷诺州立大学水彩研究选修。十四岁参展画作被选登广州青少年报,高中时期从父刘仑（中国著名版画家、油画家、国画家、广州画院首任院长）学画,尤以水墨小鸡图得前辈赖少其、黄苗子题字鼓励,速写色彩感佳。三十三岁出版个人画册得前辈胡一川、迟轲、黄树德支持及多方赞助,并有美展获奖及报刊发表画作记录。五十后续网络博客和学多年而自研独创诗书画三项成果,居美三十载仍在边走边学。
我为什么会发现那个水洼呢？因为就那片才有绿绿的青草？原来是从社区围墙里，有水管流出水...我让小孩大力往几米远的水洼丢石子，然后我拍水花，玩的很快乐。这一路散步中，还会发现许多小灰鼠，冒出头来到处串，带小孩出来长见识，学习野外观察力。还有趣的是：一只鸟儿唱个不停，它就栖在我们旁边的枝叉上不飞走。天很蓝，蓝的单纯。
当时我想，这个污水洼的题材，肯定极少人拍，因为它很不起眼，很不容易被发现，更不要说欣赏了。但是，正是这画面，折射着一种微距的“心池”。象一洼平静的“小湖”，也需要“投石”问候。如果我们不投石子，它永远是寂寞的“死池”。只有上帝了解我的心灵。
Why I found that puddles? Only because on the patch of grass and green? Turned out to be from the community wall, the water outflow of water ... I let the children throw stones vigorously to a few meters away from puddles, and then I shoot the spray, playing very happy. The road walking, but also found that many small squirrel spurt string around, take their children out of long experience, learn field observation. Also interesting: a bird sing, it is perched on the branches of our next fork does not fly away. The skies are blue, pure blue.
I think the subject matter of the sewage depression, certainly very few people shot, because it very much, can not easily be found, let alone appreciate. However, it is this picture, a reflection of a macro heart pool. Like a quiet depression "Little Lake", "testing the waters" greetings. If we do not stoning a child, it is always lonely "dead pool". Only God knows my heart.
2010529
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